A blog about drama / theatre and my experiences in the same.
|Posted by deepakmorris on November 4, 2016 at 3:50 PM||comments (116)|
ACTOR: Well hello Mr. Producer, you wanted to see me?
PRODUCER: Yes hello. You are the actor who plays the lead role in “Kitty Parties” right?
ACTOR: That’s right. I play the long-suffering husbands who has to go to great lengths to –
PRODUCER: Yes, yes, that’s fine. But I’ve got a few complaints from viewers that your acting is insipid
ACTOR: What? That can’t be!
PRODUCER: I assure you, it is. I’m very close to...Read Full Post »
|Posted by deepakmorris on September 7, 2016 at 3:05 PM||comments (0)|
Let's go from "Pygmalion" to "My Fair Lady" to "Miss Congeniality" now:
I've already explained how Shaw took the legend of Pygmalion and turned it into a successful play and then movie, "My Fair Lady".
The morphing doesn't end there.
In the year 2000, Marc Lawrence, Katie Ford and Caryn Lucas wrote the screenplay of "Miss Congeniality", which was then made into the film of the same name, with Sandra Bullock in the title role.
It featured a transformation - FBI hard-can...Read Full Post »
|Posted by deepakmorris on September 5, 2016 at 1:35 PM||comments (0)|
To write a wonderful story or a gripping play, look to the legends. George Bernard Shaw took the legend of Pygmalion and turned it into "My Fair Lady", a hit musical and movie.
What is the legend of Pygmalion? Pygmalion was a sculptor who fell in love with a statue that he himself had carved. That's the Greek legend.
Now look at how cleverly Shaw turned that legend into a teacher of speech "sculpting" a "block of stone" - Pygmalion is Professor Henry Higgins, who teaches speech an...Read Full Post »
|Posted by deepakmorris on June 24, 2016 at 12:55 AM||comments (0)|
Here's the link: http://tinyurl.com/eclectica2
And here's the Editor's blurb:
Deepak is a cunning businessman, and an inspired artist. His fundamental training in both has resulted in an art of business which is almost philosophical. This book attempts to focus upon that almost philosophical philosophy presented in Deepak Morris’s “Business Advice for an Artist.” Effortless living is an honest living, and the common interactions ...Read Full Post »
|Posted by deepakmorris on January 2, 2016 at 11:20 AM||comments (0)|
A publisher in the USA has published my book on Amazon - print and Kindle versions.
Cyril Desbruslais, sj, kindly agreed to write a foreword to the book. It's so beautiful, I must share it, even if you don't buy the book:
Foreword – by Cyril Desbruslais, sj
In the beginning was the word. And the word was filled with power. And he who knew how to make and use words had access to power.
Words are currency, like...Read Full Post »
|Posted by deepakmorris on December 2, 2015 at 2:15 PM||comments (0)|
Continuing in my series of REALLY short synopses of Shakespeare's plays. The first was of The Merchant of Venice. Here's Julius Caesar.
The play revolves around the assassination of Julius Caesar by Senators Brutus, Cassius and others and the aftermath of the assassination.
Brutus loves Caesar b...Read Full Post »
|Posted by deepakmorris on November 8, 2015 at 12:25 AM||comments (0)|
This script is available free of charge to be performed wherever one wants:
(The COACH and PLAYER are talking)
PLAYER: Hey Coach, I hear they tried playing cricket in China
COACH: Really? How did they fare?
PLAYER: Well, they tried it with Yu bowling, Mi batting and Shi fielding
COACH: Me bowling?
PLAYER: No, Mi batting
COACH: You just said I was bowling
PLAYER: No, Yu was bowling
COACH: That’s bad English
PLAYER: Concentr...Read Full Post »
|Posted by deepakmorris on October 13, 2015 at 2:55 PM||comments (0)|
Whenever I teach mime, I keep emphasising that, once you identify an object for an audience, it EXISTS for that audience and you must NEVER break that illusion.
Audiences want to believe. That is why they suspend disbelief. That is why a couple of crooked upright sticks on stage are willingly accepted as full grown trees by the audience. The audience is not interested in scenery that is distracting. It wants the scene to be suggested and then it wants to know what the ACTORS are going t...Read Full Post »
|Posted by deepakmorris on June 17, 2015 at 4:40 PM||comments (28)|
Film-makers work in a different world. They see things through a viewfinder. Their vision is narrow.
Theatre is vastly different. It doesn't have the luxury of a retake. It can't rely on editing to make a scene interesting. Either the actor makes the scene interesting or it just dies.
If a film-maker ever says you suck, take it as a compliment, for he has no idea what you do.
|Posted by deepakmorris on June 13, 2015 at 4:10 PM||comments (0)|
I use the word "accent" here to mean the Indian equivalent of "dialect", as in, "Swamy has a South Indian accent" (when you mean Swamy speaks in a South Indian dialect).
When is it right and when wrong to use dialect?
There is a very simple test to apply; "Does the dialect help tell the story more effectively?"
If everyone in a Welsh play speaks in a Welsh dialect and you're the odd Indian playing a Welshman, you darn well learn the Welsh dialect. If you're playing a lone In...Read Full Post »